Keyquest Music is the private teaching practice and music education business of pianist, composer and consultant Andrew Eales B.Mus, A.R.C.M

 

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"My daughter has made excellent progress, thoroughly enjoying her lessons. In addition, Andrew has broadened her appreciation of music by introducing her to a wide range of composers and styles." 

Viv Hollis

 

“Andrew gives my son sensitive guidance on the piano, that is centred on the music he chooses and is individually tailored to him. The lesson is rounded with knowledge and understanding of the the music that helps my son to understand the context of the piece and develop his own thoughts on the interpretation.”

Bev Field

 

“The step change in my daughter’s piano playing was a direct result of Andrew’s inspirational teaching and huge experience. Track record is a bit of a clumsy statement in music teaching, but Andrew’s consistently high results speak volumes for the quality of training. Andrew also teaches the importance of broader musical knowledge and understanding, not just purely focusing on grades as some parents tend to do. We feel very fortunate to have Andrew as our children’s music teacher. I would highly recommend Andrew” 

Chris Grao

 

"I cannot recommend Andrew highly enough. If he can find a space in his busy schedule to give lessons for anyone you know, they will be very fortunate in securing the services of an outstanding teacher. Andrew is expert in many areas of music and he has an impressive CV that underpins his pursuit of excellence...

Look no further if piano or keyboard is your thing and you wish to take lessons with one of the very best teachers available.”

Jeff Cable

 

PIANO LESSONS

 

By cultivating good technique, musicianship and understanding, Andrew helps his students develop into confident independent musicians, whatever their special interests.

 

With this in mind he tries to ensure that lessons are both enjoyable and challenging, so that pupils can be inspired to make the best progress. Andrew focuses on the positive development of each student at his or her own pace, and carefully tailors lessons to suit the individual needs and aspirations of each pupil. 

 

Although trained as a classical musician, Andrew also teaches jazz, popular and other contemporary styles. Music Theory (including exam preparation) can be taught as part of regular lessons, and is also available separately (sometimes in group sessions). Whether you want to play jazz and popular piano pieces for fun or train seriously as a classical player, Andrew has the skills and enthusiasm to help you fulfill your musical potential.

 

Great Music
Andrew encourages all his pupils to develop a broad knowledge and deep love for music in the widest range of styles. He believes in helping students learn to play the music they are interested in, while also enlarging their experience of music. He helps pupils to play pieces as musically as possible, with good technical control, sensitive musicianship, and creative interpretation.

Technique
In addition to finger exercises such as scales and arpeggios, lessons will sometimes include simple movement exercises that develop physical freedom, relaxation and mindful awareness when playing. This is important for preventing discomfort and injury, and enables Andrew's students to play with physical ease and a confident musical tone control - features of their playing which are regularly commented on at concerts and in competition reports. 

Musicianship and Aural
Andrew works with each student to develop their aural (listening) awareness. He teaches students about the historical context or background of the pieces they play, helping them to more fully engage with the music. He also sets listening tasks which expand pupils' knowledge of music. Andrew's students also have the opportunity to develop their ability to improvise freely and compose their own pieces. Making your own music is an important part of developing as a musician, and enhances your appreciation of the great music others have composed over the centuries.

Sight Reading and Music Theory
Developing a full understanding of musical literacy - the ability to read and write music - is crucial. Andrew believes these sills are hugely important for developing musical independence, and not merely as an exam requirement.

Playing Together
Andrew's students enjoy playing duets with him - and sometimes with each other - from an early stage. This helps players develop their broader musicianship. With more advanced students, Andrew also teaches Piano Accompaniment skills (the fact that he plays Flute to post-Grade 8 level is very useful here!).

Lessons are enjoyable and pupils are often surprised by just how quickly they progress!

TAKING THE GRADES

 

Pupils who wish to take Grades are entered for either the Trinity Guildhall or the ABRSM grades.

 

Andrew is experienced in entering pupils for all of the eight Grades, not just the lower levels. He is very happy to provide tuition up to and beyond Grade 8, including entrance for Music Colleges, etc.

Of the pupils Andrew has entered for graded examinations, 100% have passed with an amazing 80% gaining a Merit or Distinction. This is a far higher success rate than average.

However, it is important to understand that there is no necessity to take every grade - the exam Boards all allow candidates to enter as they choose, missing out some grades. It is also important to understand that taking exams is just one of the positive goals that a pupil can work towards, and must never replace playing for pleasure and personal enrichment.

Bearing this in mind,. Andrew adopts a fast-track approach with most students, focusing on a range of progressive goals but using graded exams at key points in a student's personal musical development. Andrew particularly encourages students to take Grades 5 and 8, but often miss out some or all the others - this leads to faster progress and a more balanced musical development.

THE DIFFERENCE BETWEEN PIANO AND KEYBOARD


While ideally all piano students have their own acoustic piano at home for practising on, many beginners use a keyboard. In the earliest stages this is fine, even if it is a small portable keyboard. However, when a pupil is clearly enjoying the piano and making some progress it is strongly advised to get a piano or electric piano with the full range of keys, and with a weighted/hammer action keyboard. Any student working beyond Grade 5 must have an acoustic piano in order to develop the physical freedom and control required by more advanced repertoire.

The electronic keyboard is also taught as a separate discipline. Several of Andrew's most successful students began as electronic keyboard players before subsequently switching to the piano.

Keyboard pupils learn to use the right hand in the same way, including reading treble clef notation. However, with the left hand they will concentrate on learning to read chord symbols instead of the bass clef, and use the instrument’s built in auto-accompaniment backings. They play music in pop and jazz styles only, not classical.

Piano pupils learn to use both hands independently, reading separate musical lines for each hand, and using both treble and bass clef notation. They play music in a variety of styles, usually including classical and jazz.

Some skills are transferable between the two instruments, and pupils will often switch from one to the other. For example, pupils who start learning the electronic keyboard can successfully transfer to the piano at a later point, and a number of my own pupils who have done that have later gone on to study music at higher and further education.

 

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